| NO!art + About + Front + Manipulation + Mail + ►Reload | ENGLISH | DEUTSCH |
 |
<<< >>> |
 |
 |
About
Bibliography
Collages
Exhibition
Filmography
Readings
Reviews
Writings
NO!art
occupies
the strategic
juncture where
artistic production
and socio-cultural
action meet.
HARRY HASS, born on May 17, 1958 under the sign of the bull in Marbach. Flees with 16 from home. Was a rebel, arms dealer and is a friend of the lumpenproletariat. Always along the walls. Numerous book publications. After four years in Cologne, North Africa and the Middle East for a long time in Berlin.
2007 THE MAGIC OF THE SMILES | Reading at Max and Moritz, Berlin
2005 FROM THE PROTOCOLS | Lesung, Elchkeller, Berlin
2004 READINGS | ClubBar Trompete, Berlin
2003 NO!-ON-SHOW | Galerie Berliner Kunstprojekt, Berlin
Contributions:
►Au revoir + ►Ne, wasn hier los + ►Die haben keinen Schimmer
►Einbahnstrasse in den Tod + ►Frühling der Toten
►Lichtgelb verdüsterte Blätter
►Reading — soundtrack, 42 min
NO!art involved artists: ARMENTO + ARONOVICI + BAJ + BARATELLA + BECHER + BROWN + BRUNET + BRUS + CHORBADZHIEV + D'ARCANGELO + DAYEN + DE RUVO + EHM-MARKS + ERRO + FABRICIUS + FISHER + GATEWOOD + GEORGES + GERZ + GILLESPIE + GILMAN + GOLDMAN + GOLUB + GOODMAN + HALLMANN + HASS + HJULER + KAPROW + KIRVES + KUSAMA + KUZMINSKY + LEBEL + LEVITT + LONG + LST + LURIE + MASTRANGELO + MEAD + MESECK + PATTERSON + PICARD + PINCHEVSKY + RAMSAUER + RANCILLAC + ROUSSEL + SALLES + SALMON + SCHEIBNER + SCHLEINSTEIN + STAHLBERG + STUART + TAMBELLINI + TOBOCMAN + TOCHE + TSUCHIYA + VOSTELL + WALL + WOLF + WOYTASIK + ZOWNIR
NO!art has continued way beyond 1964 and also prior to 1958. The "cutting-off" date 1964, as espoused by the art historian is entirely artificial. Such cutting-off dates are common to art historians, done for cataloguing purposes, and what is more, for accreditation of monetary value in the art market. The cutting-off dates also have a devastating effect on the production of artists, who are, by those means, being convinced that what they produce after a cutting-off date is secondary in importance, and do not belong any longer to the "new times". Yet the art market hated it, for practical reasons of creating confusion about monetary value. That is the main and real reason for art historians and critics insisting on this untrue measure. - Boris Lurie, 2003.
